It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Guests with other engagements were taking their leave. A piquante little woman, outrageously but effectively dressed—she looked like a drawing by Beardsley—drew her aside. “I’ve always wished I were a man,” she said. “It seemed to me that they had all the power. From this afternoon, I shall be proud of belonging to the governing sex.”!

She seemed to be living in a dream. She could not shake from her the feeling that it was not bodies but souls that she was tending. The men themselves gave colour to this fancy of hers. Stripped of their poor, stained, tattered uniforms, they were neither French nor Germans. Friend or foe! it was already but a memory. Often, awakening out of a sleep, they would look across at one another and smile as to a comrade. A great peace seemed to have entered there. Faint murmurs as from some distant troubled world would steal at times into the silence. It brought a pang of pity, but it did not drive away the quiet that dwelt there. “I may,” answered Joan. “Just to spank it, and put it down again. I’m rather a believer in temptation—the struggle for existence. I only want to make it a finer existence, more worth the struggle, in which the best man shall rise to the top. Your ‘universal security’—that will be the last act of the human drama, the cue for ringing down the curtain.”

“Now, none of that,” he said severely. “It’s no good your thinking of me. I’m wedded to my art. We are talking about Mr. Halliday.” “And those that have gone before?” she demanded. “Those that have won the ground from where we are fighting. Had they no need of patience? Was the cry never wrung from their lips: ‘How long, oh Lord, how long?’ Is it for us to lay aside the sword that they bequeath us because we cannot hope any more than they to see the far-off victory? Fifty years I have fought, and what, a few years hence, will my closing eyes still see but the banners of the foe still waving, fresh armies pouring to his standard?” CHAPTER VIII